Natural, clear, smooth. Large range: from serious and professional to sexy and fun. Kristie can make your commercial stand out from the crowd, allow clients to actually enjoy being on-hold and bring life to your project.
One of her clients said, "There's just something about her voice that makes you want to listen".
Another said, "Kristie's extremely reliable and hard working. She'll work until it's done to perfection. I'll definitely work with her again".
English, English (North American), English (British)
British, North American, US South (Deep South, Dixie, Delta)
Child (5-12), Middle Aged (35-54), Young Adult (18-35)
Audiobooks, Business, Documentaries, Educational, Internet Video, Podcasting, Radio, Telephone, Television
- Bachelor of Music in Music Business from DePauw University in Greencastle, IN.
- Studied voice (singing) with Tom Fitzpatrick in Indiana and the late Louise Taliesin in Baltimore.
- Studied voice (speaking) with Peter Rofe' in New York City.
MAudio FireWire 410, Adobe Audition, MAudio Studiophile BX5a speakers
24 hours or less. Same day, if needed.
KVoice is a full-time voice over business from my home studio. I don't do voice work "just for fun" (although I do love it!). This is a full-time career that I am committed to so I will be here now and in the future. You can count on KVoice for excellent quality, fast turn- around and professional, friendly and personal customer service. I provide voice overs for many different types of voice projects and can also supply music and/or sound effects, if needed. Children's voices also available.
Payment to Kristie McIntyre is made through Voices.com SurePay®, our escrow service that guarantees your project is completed to your satisfaction. Pay securely by Visa, Mastercard or PayPal through Voices.com and when your work is done, simply download the final files, and release funds to Kristie McIntyre.
To invite Kristie McIntyre to audition for your project, simply invite them to a job. Share your project details to quickly and easily receive a quote.
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