Christopher Allison

N/A

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Vocal Skills

Languages

English (North American), English

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Accents

North American

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Voice Ages

Young Adult (18-35)

Categories

Animation, Audiobooks, Documentaries, Internet Video, Jingles, Movie Trailers, Music, Podcasting, Radio, Telephone, Television, Videogames

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Studio

Microphone

audio-technica AT2020 condenser mic with a pop filter on a desk stand

Computer & Software

Dell Inspiron M5010

Special Equipment

2- PreSonus AUDIOBOX USB24-bit/48k Recording Interface with Studio One ARTIST and Studio One pro 1.6 & CUBASE LE 4 music creation mastering & production software .

About

Overview

6'3 ,31 years old, loves comedy/action/animation movies/TV shows, i have a thing for ghosts, pirates, rock stars and anything automotive , Cars from Pixar is one of my favorite movies .

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Service Description

Call me with what you are looking for and I will see what I can do, I'm looking for client's that can work with me to gain more experience.

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Experience

All for fun personal experience, i have a Small home studio setup that I'm playing around with, I have a pretty good voice range, i can make my voice raspy and deep like a villain i can do a great (Dr Claw), zombie or pirate like a surfer dude or somewhat high like a villain mouse or squirrel, i like to sing and try to mimic rock stars and cartoons ,I am new to this and would like to gain some more experience in working with clients so my rates are cheep :)

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Client List

coming soon !!!!

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Education

Taconic high school grad metal fabrication

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More Information

Payment Terms

Payment to Christopher Allison is made through Voices.com SurePay®, our service that guarantees your project is completed to your satisfaction. Pay securely by Visa, Mastercard or PayPal through Voices.com and when your work is done, simply download the final files, and release funds to Christopher Allison.

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Next Steps

To invite Christopher Allison to audition for your project, simply invite them to a job. Share your project details to quickly and easily receive a quote.

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