Lucy Rayner

Los Angeles, California, US

Not yet rated


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Commercial Voice Over Demo
Business 50

Lucy Rayner

Scottish accent
Audiobooks 53

Lucy Rayner

Irish accent
Audiobooks 105

Lucy Rayner

Vocal Skills


English (British), English

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Australian, British, England - London (Cockney, Estuary, East End), England - North West (Liverpool, Manchester, Lancashire, Cheshire), England - Received Pronunciation (RP, BBC), England - West Midlands (Shropshire, Birmingham, Brummie), England - Yorkshire & Humber, Irish, North American, Scottish (Standard Scottish English), US South (Deep South, Dixie, Delta), Welsh

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Voice Ages

Young Adult (18-35)


Animation, Audiobooks, Business, Documentaries, Educational, Internet Video, Movie Trailers, Podcasting, Radio, Telephone, Television, Videogames

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Rode NT1-A Cardioid Condenser Microphone

Computer & Software


Special Equipment

Focusrite Scarlett 2i2 USB Recording Audio Interface

About Lucy Rayner


Winning Best Supporting Actress award at the Madrid international Film Festival

Recording 'Maleficent' and 'Brave' audiobooks for Disney

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British Airways, Colgate, Tide, Fila, Sensodyne, Nissan.

Roche, Novartis, AstraZeneca, Sanofi-Aventis, Bayer Xarelto, Takeda Pharmaceuticals, Intel.

Medical Information, Readers Digest English 20.

"The Sweet Far Thing" Borders.


“Maleficent” adapted by Elizabeth Rudnick prod. Disney/Blackstone
“The Curse of Maleficent” by Elizabeth Rudnick prod. Disney/Blackstone
“Brave” adapted by Irene Trimble prod. Disney & Pixar
“Alice Through The Looking Glass” adapted by Kari Sutherland prod. Disney/Blackstone
“Fairest of All: A Tale of The Wicked Queen” by Serena Valentino prod. Disney/Blackstone
"The Firebird" by Susanna Kearsley prod. Mosaic Audio/Audible
“Murder on the Home Front” by Molly Lefebure prod. Hachette/Blackstone
“After The War Is Over” by Jennifer Robson prod. Eljin/Audible
“Mistletoe and Murder: A Daisy Dalrymple Mystery” by Carole Dunn /Blackstone
“Rattle His Bones: A Daisy Dalrymple Mystery” by Carole Dunn /Blackstone
“To Davy Jones Below: A Daisy Dalrymple Mystery” by Carole Dunn /Blackstone
"The Case of the Murdered Muckraker: A Daisy Dalrymple Mystery” by Carole Dunn /Blackstone
“Mother of Eden” (role of Glitterfish Brooking) by Chris Beckett prod. Penguin/Random House
“The Summer Guest” by Alison Anderson prod. Deyan Audio/HarperCollins
“The Girl From The Savoy” by Hazel Gaynor prod. Deyan Audio/HarperCollins
“The Sea Garden” by Marcia Willett prod. Blackstone Audio
"Falling Under" by Gwen Hayes prod. Robert Kessler/Penguin
"Fenny" by Lettice Cooper prod. John McElroy/Eljin Production
“Margaret The First” by Danielle Dutton prod. Tantor Audio
“Red Rope of Fate” by K.M. Shea prod. Tantor Audio
“Pond” by Claire-Louise Bennett prod. Tantor Audio
“Darkness Watching” by Emma L. Adams prod. Tantor Audio
“Bold Angel” by Kat Martin prod. Tantor Audio
“The Echo of Twilight” by Judith Kinghorn prod. Tantor Audio
“Victoria: The Queen: An Intimate Biography of the Woman Who Ruled an Empire” by Julia Baird prod. Tantor Audio
"The Madman’s Daughter" by Megan Shepherd prod. John McElroy/Eljin Production
"Her Dark Curiosity" by Megan Shepherd prod. John McElroy/Eljin Production
“Cold Legacy” by Megan Shepherd prod. John McElroy/Eljin/Harper Audio
"Crusade" by Linda Press Wulf prod. John McElroy/Eljin Production
"Drawing A Veil" by Lari Don prod. John McElroy/Eljin Production
"Breaking The Rules" by Maxine Linnell prod. John McElroy/Eljin Production
"Begging Letter" by Judy Waite prod. John McElroy/Eljin Production
"Dead Wood" by Andy Croft prod. John McElroy/Eljin Production
"Petrify" by Beth Chambers prod. John McElroy/Eljin Production
“Those Endearing Young Charms” by M.C. Beaton prod. Rosetta/Blackstone
“The Viscount’s Revenge” by M.C. Beaton prod. Rosetta/Blackstone
"Christmas at the Castle" by Marion Lennox prod. Punch Audio/Audible

Under pseudonym Lulu Russell:

"Tall, Dark & Wicked" by Madeline Hunter prod. Blackstone/Penguin Random House
"The Wicked Duke" by Madeline Hunter prod. Blackstone/Penguin Random House
"Diamonds in the Rough" by Portia Da Costa prod. Mosaic Audio/Audible
"Behind the Courtesan" by Bronwyn Stuart prod. Harlequin/Audible
"Unconquered" by Hannah Howell prod. Punch Audio/Audible
"The Lady’s Tutor" by Robin Schone prod. Punch Audio/Audible
"The Dining Club" by Marina Anderson prod. Hachette/Eljin
"Revved Up" by Samantha Towle prod. Audible

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Client List

Penguin, Random House, Blackstone, Audible, Brilliance, Hachette, Eljin, Harlequin, Tantor, Recorded Books.

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The University of Edinburgh MA (Hons) History

The Lee Strasberg Theatre and Film Institute (Conservatory Program)

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"I can’t say enough good things about Lucy Rayner’s narration. The Firebird is a book that couldn’t have been easy to narrate as there are so many dissimilar characters to voice. Her accents are amazing. She’s British, but she manages to perform marvelous Irish, Scottish, Russian, and East coast American accents effortlessly. Each character has his or her own manner of speaking, separate from their accent. We first meet Anna when she is a child of seven or eight, and Rayner gives us the impression of a child speaking without making herself sound shrill. By the same token, she gives Rob an outstanding Scottish burr, Nicola a clipped English accent, and the Empress Catherine is clearly Russian.

I also enjoyed the fact that Rayner took her time with the pacing. She slowed down certain scenes to show their importance. As I listened, I got the distinct impression that she really loved what she was reading, and wanted me to do the same. She is not a speed reader – it’s obvious that her goal isn’t just to finish the book. Instead, she savors it, and encourages the listener to follow her lead which I did ever-so-willingly.

Listening to her performance made me wonder if Rayner might have a background in theater. She is capable of delivering the author’s words with emotion without causing me to roll my eyes. When Anna is alone and afraid, we know it. When Nicola is proud of an accomplishment, I sensed it, and, when Rob and Nicola finally let themselves give in to the love that has never really left either of them, we hear an incredible warmth in Rayner’s voice that tells us that this is exactly what was meant to happen.

If you like history, romance, and a touch of the paranormal, I highly recommend The Firebird, and I definitely recommend Rayner’s narration. I know another company produced the book with a different narrator, but Rayner impressed me greatly. I’ll definitely keep an eye out for more of her narrations, and I doubt this will be the last Kearsley book I read."

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