Analog Synthesizer Feature

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Description

This is a feature story I filed for WMRA Public Radio that takes a look at the resurging trend of analog synthesizers in popular music through the local Harrisonburg musicians that use them, and the local tinkerers who restore vintage synthesizers.

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Vocal Characteristics

Language

English

Voice Age

Middle Aged (35-54)

Accents

North American (General) North American (US General American - GenAM)

Transcript

Note: Transcripts are generated using speech recognition software and may contain errors.
Over the past few years, analog synthesizers have been slowly making a comeback is nostalgia for media from the late 19 seventies. The 19 eighties and early nineties has saturated American pop culture, modern film soundtracks of paying a mosh earlier film composers such as John Carpenter and Tangerine Dream and modern rock bands are taking hints from Kraftwerk and Emerson, Lake and Palmer, among others. While digital synthesizers and interfaces have imitated the features and sounds from the original analog counterparts as technology has advanced over the past couple decades, the older machines haven't lost their place. Here are a few notes played on a 1979 Yamaha analog synthesizer, and here they are again on an O B X D virtual synthesizer. That may be hard for the untrained ear to pick up, but for many musicians, including Harrisonburg, Matthew, Snake Osborne, there's no substitute for the real thing. I tend to believe that the digital market has always come close, but it's a sound that is often imitated, never equalled, in my opinion and for ah, the audio files out there, we can always notice the technology, just like with the great divide. The technology is temperamental, and I think that's in a way. That's what kind of makes it beautiful. Osborne Place primarily as a guitarist in his band Psycho, Not but was drawn to the synthesizer or synth for short a few years ago when he learned of its capability to sustain notes. His repertoire includes three synthesizers and arterial mini brute, a movement. It's hard that he uses in place of a bassist in a different project, and the T W. A great divide, which he uses as an effects pedal for his guitar. The's Air Almada phonic synthesizers, which can manipulate one sound in many different ways. As opposed to polyphonic sense, which are capable of creating multiple sounds. Osborne describes analog synthesizers is one of the more user friendly instruments that are accessible to those who lack a formal education in music. Some are keyboard controlled, while others, like the most minute are are controlled by a pedal resembling those found at the feet of a pipe organ. Ultimately, it's the rows of knobs on an analog synthesizer that really create the sound. All the different possible settings can be overwhelming at times, as Osborne says he often has to take a picture just to remember how he turned the many potential commoners and oscillators on his synthesizers to get the right sound. The most difficult thing is to find a great sound with an analog piece of equipment and then later on, to duplicate the exact sound. If you don't remember what it is you did, that's a fool's errand. Leading synth manufacturers such as Corgan mode of tapped into that challenge in recent years, creating synthesizers with presets and sequencers. But the older machines that created sound throughout the 19 seventies and eighties are being resurrected as well. Some have been lying dormant for years, and almost all have needed some repair. Elliott Downs, who owns Wonder Records and Skate Shop in downtown Harrisonburg, works on the analog synthesizers that players frequently bring in. And sometimes those machines find their way to a new owner. As luck would have, it said, the sizes have made their way to downsize workbench. As more people have walked into the store asking about, um, we've had him. I mean, we've always come and try to pick up synthesizers. We've just been getting a little more recently than we had in the past, but they do move pretty well. Way try to pick him up. I mean, they're just cool. They're weird. Among the weirder finds a couple of Soviet Russian synthesizers that down says were made with repurpose military parts. They're all from Soviet Russia. So it was whatever was sitting around, really, And so you get a lot of like They're typically copies to some extent of a more popular American or Europeans of the sizer, but just slightly offer slightly different. And so you get some kind of really bizarre tones out of With a wave of beginners eager to explore analog synthesizers, Downs advises caution. He says, Do your homework and figure out what sounds we're looking for with a digital synthesizer before going analog. Matthew Osborne says the recent rise in popularity of analog synthesizers ultimately boils down to nostalgia. As a child of the eighties himself, he says, the sound brings back plenty of memories. Whenever people hear that, it speaks to what is familiar to them. I know in my own case, I mean, I hear video games. I hear eighties film soundtracks. I also here, you know, killer rock bands of the seventies that influence me. It's It's very powerful connection that grabs people, and it speaks to whatever is familiar to them. Husband predicts that Analects of the sizes will stay at the musical forefront for at least another few years. W M R A News. I'm Calvin Pen.