To be or not to be

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Description

This is a demo meant to show off a little bit of dramatic range, but mostly to show that I can read aloud some of the most frustratingly difficult and yet popular writing in the English language. If I can do this to your liking, what else might I be able to do?

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Vocal Characteristics

Language

English

Voice Age

Young Adult (18-35)

Accents

North American (General)

Transcript

Note: Transcripts are generated using speech recognition software and may contain errors.
This is Nick Moyo, and this is Ah, demo featuring some dramatic work to be or not to be. That is the question whether it is nobler in the mind, to suffer the slings and arrows of outrageous fortune or to take arms against a sea of troubles and by opposing end, um, to die, to sleep no more and by a sleep to say we end the heartache and the 1000 natural shocks which flesh is heir to. It is a consummation devoutly to be wished, to die, to sleep, to sleep, perchance to dream. Ay, there's the rub for in that sleep of death, what dreams may come when we have shuffled off this mortal coil must give us pause. There's the respect that makes calamity of so long life, for who would bear the whips and scorns of time, the oppressors wrong, the proud man's continually, the pangs of despised love, the law's delay, the insolence of office and the spurns that patient merit of the unworthy takes when he himself might his quietus make with a bare Bodkin? Who would Pharrell's bear to grunt and sweat under a weary life, but that the dread of something after death, The undiscovered country from whose Bourne No Traveller returns puzzles the will and makes us rather bear those ills we have than fly to others we know not of. Thus, conscience does make cowards of us all. And thus the native Hugh of Resolution is sickly door with the pale cast of thought and enterprises of great pitch and moment. With this regard, their currents turn awry and lose the name of action.