TO BE OR NOT TO BE
Description
Vocal Characteristics
Language
EnglishVoice Age
Middle Aged (35-54)Accents
British (General) North American (General)Transcript
Note: Transcripts are generated using speech recognition software and may contain errors.
be or not to be. That is the question, but this number in the mind to suffer the slings and arrows of outrageous fortune or to take arms. It gets to sea of troubles and by opposing in them, to die, to sleep no more and by a sleep to say we end the heartache and the 1000 natural shocks that flesh to air to it. It is a consummation, devoutly to be wished, to die, to sleep, to sleep, pretends to dream. Ay, there's the rub for in the sleep of death, what dreams may come when we shuffled off this mortal coil must give us Paul. There's the respect that makes calamity of so long life for who would bear the whips and scorns of time they'll press is wrong. Proud men's consume ity the pangs of despised love, the laws delay, the incidence of office and the spurns that patients merit toe unworthy takes when he himself might his quietus make with a bare Bodkin who would far does bear to grunt and sweat under a weary life, but that the dread of something after death, the undiscovered country from whose born no Traver puzzles the will and makes us rather bear those ills we have than fly to others that we know not off. Thus, conscience does not make cowards of us all. And thus the naive Hugh of Resolution is sickly 20 with the pails cast on top and enterprise a great pitch and moment with this regard, their currents turn awry and lose the name of action Soft you now the fair Ophelia, Nem, Phan, die or Essenes be all my sins remembered.