J.R.R. Tolkien Ainulindale
Vocal Characteristics
Language
EnglishVoice Age
Young Adult (18-35)Accents
North American (General)Transcript
Note: Transcripts are generated using speech recognition software and may contain errors.
annual in Dolly, the music of the in. Or there was zero, the one who an artist called a Leutar, and he made first thean, or the holy ones that were the offspring of his thought. And they were with him before aught else was made, and he spoke to them, propounding to them themes of music. And they sang before him, and he was glad. But for a long while, they saying Onley each alone or but few together, while the rest harken for each comprehended only that part of the mind of Lou Qatar, from which he came, and in the understanding of their brethren, they grew, but slowly. Yet ever as they listened, they came to deeper understanding and increased in unison and harmony, and it came to pass. That elevator called together all the Einar and declared to them a mighty theme unfolding to them things greater and more wonderful than he had yet revealed. And the glory of its beginning in the splendor of its end, amazed the in or so that they bowed before a looter and were silent. Then Lou Vitor said to them of the theme that I have declared to you I will now that you make in harmony together a great music. And since I have kindled you with the flame and perishable, you shall show forth your powers and adorning this theme each with his own thoughts and devices, if you will. But I will sit and harken and be glad that through you great beauty has been awakened into song. Then the voices of the in or like onto harps and lutes and pipes and trumpets and veals and organs and like into countless choirs singing with words, began to fashion the theme of a looter toe. A great music and a sound arose of endless inter changing melodies woven and harmony that passed beyond hearing into the depths and into the heights. And the places of the dwelling of a live atar were filled to overflowing, and the music and the echo of the music went out into the void. And it was not void. Never since of the in or made any music like to this music that what has been said that a greater still shall be made before a love it or by the choirs of the inner and the Children of Elevator. After the end of days, then the themes of a love it or shall be played a right and take being in the moment of their utterance for all show, then understand fully his intent in their part and each show No, the comprehension of each and aloo Matar shall give to their thoughts the secret fire being well pleased. But now, luv ITAR sat and harkened. And for a great while it seemed good to him for in the music there were no flaws. But as the theme progressed, it came into the heart of milk or to interweave matters of his own imagining that were not in accord with the theme of Luv Atar, for he sought there in tow increase the power and glory of the part assigned to himself, to milk or among the in, or had been given the greatest gifts of power and knowledge. And he had a share in all the gifts of his brethren. He had gone often alone into the void. Places seeking the imperishable flame for desire grew hot within him to bring into being things of his own. And it seemed to him that elevator took no thought for the void, and he was impatient of its emptiness. Yet he found not the fire, for it is with a looter. But being alone, he had begun to conceive thoughts of his own, unlike those of his brethren.