Dada

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Description

A reading from Art through the ages to showcase more instructional values. The ability to inform while keeping the listener engaged.

Vocal Characteristics

Language

English

Voice Age

Middle Aged (35-54)

Accents

North American (General)

Transcript

Note: Transcripts are generated using speech recognition software and may contain errors.
Chapter 33. The Triumph of Modernist Art The early 20th Century Data With war as a backdrop, many artists contributed to an artistic and literary movement that became known as data. This movement emerged in large part in reaction to what many of these artists saw as nothing more than an insane spectacle of collective homicide. They clearly were revolted by the butchery of the World War. The international scope of DOT approves. This revulsion was widespread. Hello, Dada began independently in New York and Zurich. It also emerged in Paris, Berlin and Cologne, among many other cities. Data was Maura Mindset or attitude than a single identifiable style is Andre Britain, founder of the slightly later Surrealist movement, explained Cubism with a school of painting futurism. Political movement data is a state of mind. The data is believed. Reason and logic have been responsible for the unmitigated disaster of world war, and they concluded that the only route to salvation was through political anarchy irrational and the intuitive. Thus, an element of absurdity is a cornerstone of data even reflected in the movements. Name data is a term unrelated to the movement, according to an often repeated anecdote the daughter is chose the word at random from a French German dictionary. Although Datta does have meaning, it is French for a child's hobbyhorse, it's satisfied the data is desire for something irrational and nonsensical. It should be noted, however, that this is just one among many explanations for the names selected for this movie. Further, the pessimism and discussed of these artists surfaced in the disdain for convention or tradition, characterized by a concerted and sustained attempt to undermine cherished notions and assumptions about art. Because of this destructive dimension, art historians often described data as a nihilistic enterprise. This nihilism dot is contempt for all traditional and established values, and it's the rise of a conical as um can be read at random from its numerous manifestos and declarations of intent. Datta knows everything. Datta spits on everything, Datta says. No thing Datta has no fixed ideas. Daughter does not catch flies. Data is bitterness, laughing at everything that has been accomplished. Sanctified data is never right. No more painters, No more writers, no more religions, no more royalists. Nomar, anarchist. No more socialist. No more police. No more airplanes. No more urinary passages like everything in life gotta is useless. Everything happens in a completely idiotic way. We are incapable of treating serious any subject whatsoever, let alone this subject ourselves. Data is described their own movement, said data phenomenon bursting forth mist of the post war, economic and moral crisis. A savior, A monster which would lay waste to everything in its path. A systematic work of destruction and demoralization, in the end became nothing but the act of sex.