5 Ways to Maximize Your Voice Acting Auditions
Are you getting the most out of the auditions you do? What if you could put 5 tips into practice that dramatically impact your ability to capitalize on the available voice acting auditions? Guest blogger Mike Tobin shares his thoughts and encourages you to get the job done.
5 Ways to Boost Your Voice-Over Audition Productivity
By Mike Tobin
No matter how you slice it, auditions make up a key part of any voice talent’s day. With lots of time required for active jobs, marketing activities, skills development, and probably plenty of administrative tasks as well, the need to be efficient with your auditioning process is critical! Here are 5 tips that can help get you from “record” to “send” more quickly, without rushing or cutting any corners.
1 – Chunk Your Tasks
Many productivity experts advise that similar or repetitive tasks should be grouped together for better efficiency. Anthony Robbins uses the term “chunking “. The idea is that by doing this, you take advantage of flow and continuity. So, instead of recording a single audition, and then editing and submitting, try recording a group of 5 to 10 auditions in one session. Then do all your editing, followed by all your submitting. Obviously, this technique works best for jobs that require similar recording levels to start, but with a bit of practice you can even incorporate level changes into your session and benefit from not having to stop and restart after each audition.
2 – Make Editing a Snap – With the Way You Record!
Whether you’re new to voiceover or have been at it for years, you’ve no doubt heard about, or probably use a variation of the “snap” or “click” technique. In a nutshell, you make snap or click sounds during recording to visually mark your audio waveform to help distinguish between good takes and throw-always: After a take, snap your fingers close to the mic, or make a sharp clicking sound with your mouth. The resulting audio spike will show up clearly in your waveform. I like to make 2 snaps after a mistake or bad take, and 1 snap after a good one. Once I’m done my recording session, I simply find the sections with 2 clicks at the ends, and hit delete!
3 – Markers and Job Numbers
If you commit to recording a “chunk” of auditions, be sure to use your recording software’s markers to divide them up: Place a marker at the beginning of each audition section. If your recording software or DAW has an “export from markers” function, use it to quickly split your recording session into the individual audio files for each audition. Also, say the job number or name prior to reading its script. It will help you quickly match the audio you have with the job posting. Once you’re done recording, it’s time to edit and polish the audio.
Be sure to edit out the recorded job number or name before saving. Remember: Clients and producers often listen to hundreds of auditions for every job, and as a result you may only have seconds to catch their attention! So, it’s really important that you get right to their script and impress them early on.
4 – Presets and Key-Commands
Sometimes it’s the little things that add up to big time-savings! So if you have processes or effects-chains that you apply to your audio regularly, try saving them as presets and even consider mapping out hotkeys to speed things up. Most good recording software and DAWs will have many hotkeys pre-programmed but also offer the possibility of creating your own. I’ve mapped out “command-P” as my processing hotkey. Check the user guides and online tutorials for your particular software to learn how.
But REMEMBER: Presets are ONLY starting points. You should always listen carefully, then check and adjust your levels to ensure you get things right!
5 – Clipboard Tools and Message Templates
Copy and paste in any application saves time. But consider supercharging your clipboard with a tool like ClipMenu (for Mac) or Ditto (for Windows). These allow for a longer history in your clipboard and so much more! With ClipMenu, you can save “snippets” that you use frequently. I created snippets like “Mike_Tobin_-_custom_audition_-_” that I can paste in quickly when saving audition files. All I have to do is paste the snippet I need, and then add the job number!
Once you’re done recording, editing, processing, and saving your audio, you’re just about ready to send of that “chunk” of auditions! Voices.com offers message templates to help speed up your communications that accompany the audio files you upload. Take the time up front to prepare several of these templates that best suit the type of auditions you’ll be submitting. Type a basic message that can include things like your typical turnaround time, live-direction options (for example ISDN, Source-Connect, or Skype), and anything else you usually include. In my case, I have at least four templates I use on a regular basis: “Custom audition”, “Private Audition”, “Custom Audition for Voices.com team”, and “Private Auditions for Voices.com team.”
As was the case with presets, it’s important to remember that message templates are a starting-point. Be sure to customize each one to include the client or account manager’s name, and try to add a personal touch when appropriate.
Now Go Do Some Voice Acting Auditions!
Hopefully you’ll find these tips helpful, and discover that applying any or all of them will get you through your audition sessions more efficiently. You may also find that by “chunking”, you end up increasing the amount of auditions you submit!
A Note from Voices.com on Auditions: Dry Voice Auditions or Full Production?
Recording your voice for an audition is one thing, but adding tracks with music and sound effects as a way of learning the art of production, is another.
It’s important to know that it is not recommended that your audition contain any production elements (e.g. music or sound effects), as the audition needs to highlight your vocal ability only.
Here’s what you need to know about the difference between ‘dry voice,’ and ‘full-production,’ including when it’s best to use each.
Auditions: Dry Voice is Best (it’s 100% You!)
The term “dry voice” is the industry’s way of saying an unadulterated sound. When you are required to record a dry voice track, all you should be doing is providing your read, nothing more. That means no music, no sound effects, no effects on your voice… you get the picture. When you audition, you should be supplying a dry read.
Full-Production: Great for Experimentation and Demos
Adding music and effects to your voice over track is a completely different animal. Whenever something is produced, it means that production elements were used, such as music, sound effects and so on. Usually in this instance, you are multi-track recording and might have a separate track set aside for your voice with an array of tracks for music beds, sound effects and the like.
If you’re having fun with production and you’ve created an amazing track that highlights your vocal skills, you might consider using this as one of your demos.
As a rule of thumb, whether you decide to do dry voice exclusively (for auditions and demos) or dabble in production, always make sure that your vocal choices with regard to interpretation are unique and demonstrate how you would best serve the client.
About Mike Tobin
Mike Tobin is a bilingual voice talent based in Ottawa, Canada. Having grown up in Montreal, he developed native fluency in both English and French which, combined with his versatile voice, has allowed him to record voice overs in either language and, for many projects, even both. His client list has grown to include Fortune 500 companies, top tier financial institutions, big auto, and national retail brands. In addition to voice over, Mike Tobin is also very active as an MC and public address announcer. Professionalism, ability to adapt, and his hallmark bilingualism have placed him at major multi-sport events, corporate galas, and high profile fundraisers to name a few.