Audio recording engineer in sessionWhen you first get into voice over, you’ll quickly learn that something expected of you (to work independently) is an audio home recording studio. CEO David Ciccarelli is an honours graduate of the Ontario Institute of Audio Recording Technology (OIART). On his blog, The Biz, he took time to outline the basics of the audio signal chain, comprising of three elements that every voice over professional should be aware of and understand.
We’ll briefly discuss these elements today on VOX Daily!

The Audio Signal Chain

You may have heard of the signal chain and how integral it is to the audio recording process.
Components of the signal chain are:
Sound sources

Sound Sources

Why are sound sources listed first?
It makes sense that you’d need a sound source in order to record, right? Without a sound source, you wouldn’t be able to record much of anything other than the room tone.
There are 3 types of sound sources:

An acoustic sound source may be an instrument such as a piano, violin, trumpet, or even the human voice. Our voices are organic and therefore acoustic in nature.
An electric sound source may be instruments with audio outputs that can be plugged into a preamplifier or a recording device such as an electric bass amplifier, electric keyboard, drum machine and so on.
Digital sound sources include computer based sounds such as software used to produce sounds or sound effects that are pre-recorded.


Once you have a sound source, you’ll need a way to capture that sound source. This is where microphones come in. All microphones are built to perform the same basic task… to capture the varying pressure waves in the air and convert them into varying electrical signals.

Technologies commonly used to accomplish this conversion include:
Carbon Microphones
Dynamic Microphones
Condenser Microphones
Ribbon Microphones
Crystal Microphones
* USB microphones (microphones that you can connect to your computer via a USB port) come in many different styles and varieties with varying features.
You can learn more about each of these microphone types if you’d like on The Biz.


Following the microphone, which captures the sound and converts it, you have preamps. Engineers tend to agree that the preamp is just as important as the microphone when it comes to producing quality audio.

A microphone preamp is a device used to amplify the voltage taken from a microphone to a higher, more usable level. Most microphones must be used in conjunction with a microphone preamp to function properly.

Preamps are available as hardware and as software. Many mixing boards or desks have microphone preamps built in. There are also a plethora of external preamps from which to choose, which is great for adding the exact tone and feature set you need for your setup.
USB Microphones have made recording even easier!
The USB mics do this without an external preamp.

Many USB microphones come bundled with preamplifier software that provider additional control and gain adjustment to the signal being recorded. Software preamps are purely digital and therefore do not amplify the voltage of the microphone. The software simulates an increase to the audio signal and therefore doesn’t offer nearly the quality or characteristics of a traditional analog microphone preamplifier.
USB microphones will work without the software using the standard drivers included in your computer’s operating system.

Whew! That’s a lot of info!

I know that some of you really enjoy tech talk and hope that this article helps those who are new to the industry. Should you be hungry for more, I did an interview with OIART’s Bob Breen that you may find useful and also get a kick out of.


If you have any favorite combos that you’d like to share for what goes into your signal chain, be my guest!
Looking forward to hearing from you,

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Stephanie Ciccarelli is the Co-Founder and Chief Brand Officer of Classically trained in voice, piano, violin and musical theatre, as well as a respected mentor and industry speaker, Stephanie graduated with a Bachelor of Musical Arts from the Don Wright Faculty of Music at the University of Western Ontario. Possessing a great love for imparting knowledge and empowering others, her podcast Sound Stories serves an audience that wants to achieve excellence in storytelling. Stephanie is found on the PROFIT Magazine W100 list three times (2013, 2015 and 2016), a ranking of Canada's top female entrepreneurs, and is the author of Voice Acting for Dummies®.


  1. Hello! Since I’ve had a studio since 2001, I’ve had to upgrade about every 2 years, and it’s time to do it again. However, I could use some advice before I spend money on upgraded software/preamp, etc. I use a Symetrix 528E processor and kind of an old school microphone, an Electro-Voice ND27. The signal coming OUT of the processor is very, very good. However, when I begin to record in Adobe Audition, I barely get a signal. My voice is soft, but it should be reaching -15 to -12 instead of -24, and that’s with the gain up to about 3:00! I have to amplify my recording so much that I get some hiss. Before I upgrade to Adobe Audition 3.0, might this be a software problem, or perhaps the way the signal is configured? Thanks!


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