A View on Access - Aladdin
Description
Vocal Characteristics
Language
EnglishVoice Age
Middle Aged (35-54)Accents
British (General)Transcript
Note: Transcripts are generated using speech recognition software and may contain errors.
welcome to a few on Access the audio Describe performance of Aladdin at the Prince Edward Theatre. So how will take place on May 30,000 and 19. Shores at 5:30 p.m. In an audio introduction. 7 15 Full description, beginning with show at 7 30 Audio description was delivered by Jane Bradley on Lonny Evans. Vocalised dot co dot UK. The Prince Edward Theatre, part of Delphi Macintosh in the crew of Aladdin, demonstrated from start to finish their passion and commitment in making performance is totally accessible for those with disabilities. The venue in the heart of so is an elegant, stylish theatre that's a perfect home to this classic waters. Music often is not only faithful to the movie, but a fun filled night of entertainment for the whole family. Full of toe tapping familiar songs. One ahead of the bread line, one swing ahead of the sword. I steal only what I can't afford and that's everything you Touched began at 5:30 p.m. That by described as Jane and Lonnie on the front of House Staff Party of around eight, led onto the stage and met by the production team. This was an extravagant affair is the production design is exquisite, and as soon as I walked onto the stage, there was a sense of awe and wonder. There was a short overview of the show on physical aspects and an introduction from the stage manager. Then everyone was allowed to explore the set, props, costumes and touch and feel every element in front of us. Some of the items were an Art Deco style table, a snake charmers basket, a Cobra style staff that Jafar uses on a shepherd's cane, as well as lots of huts and tower like structures on an array of lavish costumes. What was amazing was the fact the whole of the crew and a couple of the cast were on hand to give a detailed history and answer any questions along the way. The tour lasted about 30 minutes, and we were then led back to the foyer and issued with headsets, which are very easy to use devices that just fit in the year when we had some time to assault to seek refreshment. There's plenty of tantalising options close by to suit all tastes. Then I returned for 7 15 PM, where I took my seat and listen to the introduction from Lonnie, which began and gave a very expert and detailed description of A ll. The important visual aspect of Aladdin and interesting fax along the way, for example, on how the production designer true inspirations from other cultures in order to bring it to life. She also illustrated with words the scope and appearance of SAT and painted realistic pictures in our minds of every physical on visual element everyone. I'm Lonnie Evans. I'm one of the Vocalise describes who, along with Jane Bramble E, will be describing Aladdin here in SoHo. The challenges of describing Aladdin Well, we've just had an incredible touched with loads of the cast came along. We've got to feel the incredible costumes just to say that there is such a lot of costume changes that we love to describe. Sometimes it happened so quickly it's very, very difficult. I was just describing to one of our attendees when the vizier changes costumes very, very quickly, it's like 1234 that quick way. Do try to describe them as we're going along. Also, the show is very loud. Certain points, which is often a slight difficulty with musicals, but we do try to make sure that we describing the quiet bits and let the music numbers flow. But sometimes that's the most challenging thing with allowed musical like wicked or we will rock you or something. It's just It's just the actual decibel level of the show itself and trying to fit the audio description into those nice pockets of quiet so that we can, you know, keep it keep up with all the fantastic things that are happening on stage, you took a little bit about touched us. Most people who come to Vocalise described performances have already had or listen to some introductory notes. Are these air available online on the Vocalised website and also, if you want it to be sent on CD, that's also can be arranged So people have some idea of the style of the production. Let's just say And so about an hour before the show goes up, we get the chance to go on stage on explore. Some of the sets explored the way certain bits of theatricality happen, and we also get to meet some of the actors, feel the costumes, talk toothy stage management about certain little bits of business that happened and generally explore the set. Talk about the style of the production and really experienced space on. We touch some of the props. We touch costumes, we touch wigs. We get to explore the set. We have half a Knauer on DH really feeds into the show on helps everybody to join us imaginatively as we move forward. Because the show itself is so loud and incredible, it's quite insult on the senses. So it's a nice, quiet half A now when we can really talk about seeing styles and touch lots of lovely sparkly costumes. So it's fun for everyone like I can open your eyes, take you wonder by wander over sideways and under around a magic car. Right hole. Ah, fantastic. Boyd Aladdin is such a fun, magical experience full of drama fantasy humour, well known catchy songs on well devised dance routines, and it stays faithful to the classic animated movie. It also has some or inspiring special effects that are really well described with such a talented company, full of the very best performers around, carefully crafted script on description from money in Part one and Jane Import to was a tour de force in life generation and commentary and help bring a ll the adventure tto life for everyone, blind or partially sighted. And it's an invaluable element that not only in forms and entertains, but navigates the listener through the show from start to finish and a really professional and enjoyable manner. The customer care team at the Princess with Theatre, including the Access Champion, went out of their way to support Help, a maker fulfilling experience for everybody involved. And I was really impressed by the sheer commitment, care and attention offered to those who needed it. The next audience describe Performance of Aladdin, which will probably be the last one of the Prince Edward Theatre for Aladdin, is on the 13th of August 7 30 PM with a touch door at 5 30 on an introduction to the show at 7:15 p.m. To find out Mohr or for introductory now chicken, visit vocalise dot co dot UK on DH Search Aladdin or you can call 020737510 for three to book tickets and call the box office and that 03 double 44825137 To find out about other audio, describe performances you can visit official London theatre dot co dot UK forward slash access for more information on audio description, touch doors or access, or to make a suggestion. Email of Yuan Access at gmail dot com on Tim Cowlitz And this was a View on Access, a reflection of the audio. Describe performance ofthe Aladdin. A view on access, ripping, presented and produced by Calvin Creative Concepts with Audio Description Association and Arnold Connect radio.