Paul Henreid, One Person, Two-Act Play
Description
Read MoreVocal Characteristics
Language
EnglishVoice Age
Middle Aged (35-54)Accents
Austrian German North American (General)Transcript
Note: Transcripts are generated using speech recognition software and may contain errors.
Yes. I'm ready for my call to Los Angeles, you know. Yes, I got here. Have you heard? John Houston is not directing the film. They told me when I stepped off the plane. I don't know what happened. They said something that the producers wanted to rework the script and Houston wouldn't go for it. Bryan Forbes is taking over. I'm sure he's a good director, but he's not John Houston. What do I want to do? I don't know. I feel betrayed. Houston called me personally to do this picture, and I was looking forward to working with Katharine Hepburn again. I know the rest of the cast isn't job. Liver Charles boy. You Brenna. Danny Kaye? Yes. The money is good. I haven't read the revised script yet. They just handed it to me. If Houston didn't like it. I doubt if I will. Okay, I'll read it. Then we'll talk tomorrow. Yes, I will try to relax. You heard that. Of course you heard that. You're in my head. You hear everything? That was my agent. I'm here in Nice to co star with Katharine Hepburn in The Madwoman of Show. It's an adaptation of the play by Jean zero. Do They did it on Broadway. Back in 1949 with Martita Hunt, she won the Tony Award. Why has it taken almost 20 years to do a film version? The script I read and agreed to do back in Los Angeles was excellent, but now there, fiddling with it and when they fiddled with it, don't misunderstand. Every screenplay gets improved, but the's improvements must be a disaster if Houston quit.