To Be or Not To BE
Vocal Characteristics
Language
EnglishVoice Age
Young Adult (18-35)Accents
North American (General)Transcript
Note: Transcripts are generated using speech recognition software and may contain errors.
a monologue from Shakespeare's Hamlet to be hard not to be. That is the question. Whether tis nobler in the mind, to suffer the slings and arrows of outrageous fortune or to take arms against a sea of troubles and by opposing end them, to die, to sleep no more and by a sleep to say we end the heartache and the 1000 natural shocks that Flesh is heir to does a consummation devoutly to be wished, to die, to sleep, to sleep, perchance to dream. Ay, there's the rub for in that sleep of death, what dreams may come when we have shuffled off this mortal coil must give us pause. There's the respect that makes calamity of so long life for who would bear the whips and scorns of times that press is wrong. The proud man's continually, the pangs of despised love, the law's delayed, the insolence of office and the spurns that patient merit of the unworthy takes when he himself might his quietus make with a bare Bodkin who would far does bear to grunt and sweat under weary life? No, but that the dread of something after death, the undiscovered country from whose Bourne no traveller returns, puzzles the will and makes us rather bear those ills we have than fly to others. That we know not of this conscious does make cowards of us all. And thus the native Hugh of resolution is sick. Lead over with the pale cast of thought, an enterprise of great pitch and moment. With this regard, their currents turn awry. So lose the name action soft you now the fair Ophelia nymph in thy Orson's be all my sins remembered. Thank you.