The Last Demo You Need to Hear - Audiobook Demo Masterpiece! (5min.)

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Description

Your search for that superb voice ends here! Your book deserves the best, doesn't it? This 5min. demo contains three tracks: 1st Person Fiction, 3rd Person Fiction (male/female dialogue), and Nonfiction. Enjoy! and Thanks for listening.

Vocal Characteristics

Language

English

Accents

North American (General)

Transcript

Note: Transcripts are generated using speech recognition software and may contain errors.
every day is a struggle each moment. A private war of its own nights are the best nights free me for a few blessed hours from the oppressive heat of the day. It's in the nighttime I truly come alive. A small, single thread of energy courses through the dark, a tiny flame that lights up the night. Sometimes, I think it lives inside me, the driving force that pushes me on the single thing that enables my escape. Night after night allows me to cling to my sanity. In these terrible days. one man, all alone in a big war, proud of his country, the best country. That's what keeps me going. It's why I fight daytime isn't so easy in the heat of the day. There's time to think and thinking can lead to dreaming. The dreams are always about the same place, the same room, the same face, the kind of dreaming that can drive a man mad, but can also remind him why he's here, Why he continues to struggle for the tortuous days to the sweet serenity of the knights jenny all my life. I have wanted to do miracles. I wanted to be holy. I suppose it was ambition or pride or some other unworthy thing. It was not enough for me to conquer the world. I wanted to conquer heaven too. I was so grasping that it was not enough to be the strongest night. I had to be the best as well. That is the worst of making daydreams. That is why I tried to keep away from you. I knew that if I was not pure, I could never do miracles And I did do a miracle to a splendid one. I got a girl out of some boiling water who was enchanted into it. She was called Elaine. Then I lost my power now that we're together, I shall never be able to do miracles anymore. He did not like to tell her the truth about Elaine, for he thought that it would hurt her feelings to know that he had come to her as the second. Why not? Because we are wicked personally. I have never done a miracle, said the Queen, rather coldly, so I have less to regret. But jenny, I'm not regretting anything. You are my miracle and I would throw them overboard all over again for the sake of you. I was only trying to tell you about the things I felt when I was small. Well, I can't say I understand. Can't you understand wanting to be good at things? Now, I can see that you would not have to. It is only people who are lacking or bad or inferior. You have to be good at things. You have always been full and perfect. So you had nothing to make up for. But I have always been making up. I feel dreadful sometimes, even now with you, when I know that I can't be the best night any longer, then we had better stop and you can make a good confession and do some miracles. You know, we can't stop by telling us at the very start about his forecast of the future of magnitude of the war, and about the success of that forecast facilities, enlists our confidence in him as a reliable historian and in history as a diagnostic tool. Herodotus had opened the way for this by examining events of the past to see how those events could be accounted for. In terms of general or universal laws. The notion that understanding those laws might allow one to predict the future course of events was not exploited by Herodotus, but in facilities. Although the notion is never made explicit, it pervades his account of the Peloponnesian war. For lucidity is constantly presents the words and thoughts of the participants in the war as they try to anticipate the course of events and try to persuade others to act in one way or another on the basis of their confident expectations. Then, by describing what in fact subsequently took place through cities allows us to evaluate the success or failure of those predictions. The participants in the war often present their assessments of what is likely to happen by means of formal speeches that facilities features as a prominent element of his history. These speeches often take the form of a general's address to his troops or of contributions to a debate in a public assembly. In the latter case, the speeches frequently occur in pairs, in which one speaker expresses support for a policy or a course of action, and another speaker opposes it, with each speaker generally providing reasons why he is confident that events will turn out as he predicts. In this way, it becomes relatively easy to see in the light of facilities description of subsequent events, which of the major players in the conflict had a good understanding of the situation at the time.