Martin Levinson

Overview

Highly experienced and versatile British male voiceover artist and actor; as well as my own natural voice (neutral, upbeat English accent) I am capable of 100's of styles, types and accents, plus loads of different ages - from 14 year old boys to 90 year old grandpas - and impressions of the famous and infamous. I work across all types of media; TV/Radio commercials, TV documentary/continuity, TV impressionist, corporate videos, video games, exhibitions, etc. I am reliable, professional and dedicated to my profession.

Service Description

1. Tight briefing! IE we talk on phone/Skype/face-to-face about the project prior to recording; who is it aimed at? What age is our target audience? What tone of voice is needed? What style of voice is needed? Are there awkward or ambiguous pronunciations in the script? What are the deadlines? Bearing in mind my copywriting background, would any help be needed in script writing or script editing? If possible, arrange for live direction of my voiceover session either being physically present or via Skype or ISDN. If that is not possible, give client options for takes.

Experience

TV documentary work for BBC "Panorama", TV continuity work for Sky TV, TV voiceovers for Renault cars, Johnson & Johnson, Loot, the Free ads paper, "We will Sell Your (Website hidden), one of three TV continuity announcers picked for Turner TV, several voices - including Michael Caine - for various video games, stacks of radio commercials for such names as The Daily Mirror, The Metropolitan Police, British Airways and Cossack Vodka, plus corporate videos for clients including the UK Government, Price Waterhouse Coopers and The Co-op.

Client List

BBC, British Airways, Metropolitan Police, Renault cars, McDonalds, Johnson & Johnson, Cossack Vodka, Sky TV, Turner TV, Price Waterhouse Coopers, Her Majesty's Government, Manatomicals toiletries, The Co-Op.

Education

Worked for some 30 years in advertising as a creative copywriter,
and radio producer/director. So in-depth knowledge of the production process, and of the pressures of time in a recording session!

How do I work with Martin Levinson?

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