Search results for New York Times
How To Learn a Dialect
So, how do you learn and use dialects and how do you make sure you’re on the right track? And where do you start?
How Are You Making that Sound? How to Increase Vocal Control
Increasing vocal control with visualization is a limited view. See how your voice literally changes with this video by Tyley Ross.
4 Sounds You Can Create at Home – Just Like a...
How to become your own Foley Artists and recreate sound for a variety of applications. Get started with these common, east to recreate sounds!
What You Need to Know About Copyright Law Before...
Copyright law for audiobooks can be tricky. Find out who you should talk to, and what licence agreements you'll need in, all right here!
What are the Benefits of Audiobooks?
The benefits of audiobooks are ones that have been garnering more and more attention from the publishing industry.
How I Became a Successful Cartoon Voice Actor
Becoming a successful cartoon voice actor can be challenging. Voice coach and actor Shelly Shenoy shares her success story.
Voice Over Script Considerations for Advertising and Radio Campaigns
Writing a radio ad script? Learn about soft and hard sells, how long a radio ad should be, and how to find the the best voice.
6 Voice Over Career Blunders to Avoid
Shelly Shenoy, voice actor and coach shares her insights for voice actors as she dispels misconceptions and provides advice.
Tips for Living the La La Land #ActorsLife
Has auditioning changed much over the years? If you enjoyed Singing in the Rain, you'll love La La Land and this modern take on auditioning.
Best Animated Feature Film: The Anatomy of an Oscar...
Is there a trend among Best Animated Feature Film Oscar winners? We examine their attributes - and the results are surprising! Read now
The History of SAG-AFTRA
All about the history of how SAG-AFTRA came to be, including why each body was formed and why they decided to join forces.
Where Does Your Voice Naturally Shine?
it is far more common for a voice actor or singer to capitalize on the lower range of his or her instrument than its higher range.