Take your time audition
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British (General)Transcript
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2.1, how the book is structured. Chapter four photo locations in this book. Page 19 is something I've added to make it easier for you to find the locations where these shots were taken. Because I know that many photographers like to see if they can recreate example, images with their own kit. It's a great way to learn and develop your skills. So if any of my images can help you in this way, I'll be happy at the very least. The map references will guide you to good spots for photography. Even if you don't want to shoot what I did. There's a Google map associated with this book which you can access from any device with my images embedded within it to help you find and make the most of different locations. Chapter five, what is long exposure page 20 starts off by defining this genre and discussing some of the mental processes you need to embrace to work in this type of photography. Chapter six, creative vision page 25 then discusses the idea of pre visualization, a key skill in long exposure work. Chapter seven technique. Page 27 discusses various ways to capture long exposure images. Discussing photographic approaches to image making. Chapter eight subgenres of long exposure page 53 goes through a number of different applications of the long exposure technique. With example, images showing how each technique can result in images quite different from more normal fast exposure shots. It was fascinating to explore all the different aspects of long exposure as I was writing this book. And I hope that my meanderings through the field provide you some new ideas for your own photography. Pretty much all the techniques described in these pages are open to anyone with a camera and some basic kit. So go on. Have a go. It's a very satisfying moment when one of these images comes together. Chapter nine Gear page 112 no book like this would be complete without a good look at the different pieces of equipment needed. Or should that be wanted to get long exposure images? As with most genres of photography, there are a plethora of gadgets and gizmos available to help you in your photographic pursuits. Not all are strictly must haves, but if you're anything like me G A S Gear acquisition syndrome is a constant part of your life and the beast must be fed. Chapter 10 Great buildings of Dublin page 144 shows some images from a long term project. I've been shooting for a few years now capturing some of the iconic buildings around Dublin's Fair. City using mono long exposures. Chapter 11, some inspirational long exposure photographers. Page 148 gives some further resources for you to look at. If the book has kindled interest in this wonderful aspect of the photographic art, it's just a small selection but might lead you to creators. You haven't yet discovered. Chapter 12. In conclusion, page 156 gives you an overview of my other services. Should you be interested in a 1 to 1 session workshop or talk, et cetera?