Sound Reproduction - The Acoustics and Psychoacoustics of Loudspeakers

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audiobook narration

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Language

English

Voice Age

Middle Aged (35-54)

Accents

North American (General)

Transcript

Note: Transcripts are generated using speech recognition software and may contain errors.
sound reproduction. The acoustics and psycho acoustics of loudspeakers and rooms by Floyd E tool, Sound Production vs Sound Reproduction. Chapter one Before getting into sound reproduction. The title of this book. It is good to have a look at where it all begins in live performances, sound production. We may like to think that our audio systems are capable of reconstructing such experiences, but that is simply not possible Even today, with nearly unlimited men with available two channel stereo is the default format. There is no doubt the stereo can be greatly entertaining and at times can make us feel close to the real experience. But it is sad to say that many recordings can be well described as left loudspeaker, right loudspeaker and phantom center. This is motto, motto and double motto. Listen to through headphones. It becomes left ear, right year and center of the head. The essence of the music can be conveyed, but any semblance of acoustical space and ambiance is missing. Skillful microphones set up and signal processing by recording engineers can improve things, but at best, sterile remains a directionally and spatially derived format and an antisocial one requiring a sweet spot